Artwork presented in several designs

Art Visual Analysis

Introduction

The essay discusses artwork presented in several designs however the message depicted majors on a similar theme. The pieces have diverse feature which is prominent in adapting aesthetics thus giving unique forms.  The four pieces of consideration are designed in painting which has got a diversity of ideas where expressions are meant to define the core philosophies with genuine basics. It was the use of oil and caravans in art response that influenced the preset-day architecture. With the many experienced cultural movements painting was the process which introduced visible ideas of artwork with functional and formal spaces (Secker & Warburg, 1980).

In our pieces painting is used in the designs because color does not necessary have particular rules but rather they have got a certain harmony which exudes from it. In the architecture color appears to be irregular to generate the fashion and design of art. The architect of postmodern architecture aims at creating structural defined and fixed characteristic for the architecture which in some instances seems to be a difficult task. The difficult part of the art work occurs since the design does not follow any principle but it also has an essential part of it where it uplifts the architecture as both functional and artistic in the environmental sector. The artist decides to design their pieces in oil and caravans to emulate desire since the architects have are able to introduce color, decoration and human (Secker & Warburg, 1980).

Theme

Representations of Women

1350-1500:  Madonna and child, 1465, oil on panel, by Jacopo Bellini

The art work is a European painting as well as sculpture at LACMA designed by one famous artist Jacopo Bellini. The Madonna and child is an oil panel painting which represents a virgin and a child who are set before the cloth of honor thus, a slice of landscape escapes. The woman in the painting is depicted as naïve an innocent clear for the viewers to understand she is a woman of honor. In representation to the theme, the art piece clarifies a virgin woman and the respect she deserves. Bellini majored on this theme by ensuring that the virgin’s image is large and imposing with a frontal monumentality of an icon (Metropolitan Museum of Art (New York, N.Y.), Wardropper, & Coscia, 2011).

 

 

1500-1600:  Risen Christ, 1511, oil on canvas, by Titian

The painting is religious one that changed Titian’s life completely since it gained huge appreciation from the audiences. The painting is the most essential piece on the artisan’s discovery in many years. It officially was developed by Burlington thereby, there developed a rival between Titians and Burlington though it did not prevent the portion from being observed at LACMA. I n relation to the theme representation of women, the piece portrays the female femininity in one way expressly where Mary Magadalen was the first to see the risen Christ. The woman was the first to see Jesus again thus, her role are linked to the bible where she is able to bring life to the world (Burckhardt & Stoddart, 2013).

1700-1850:  Cymon and Iphigenia, 1773, oil on canvas, by Benjamin West

Cymon and Iphigenia is an oil caravan found in Los Angeles County on of Benjamin’s achievement as an artisan. The painting is a constitution of four people two women and two gents. Cymon is the handsome guy standing beside a lady he is the son to one nobleman whom from the history was stupid and cruel thus, he was sold as a slave. The piece is evidential that the man is in love with the lovely lady beside her. In connection to the theme representation of women, the piece considers female love as well as their desires in the male eyes. This story entire story corresponds to its relationship to the theme (Staley & Baltimore museum of art, 2008).

1600-1700:  The sleeping danae being prepared to receive Jupiter, 1603, oil on canvas, by Hendrik Goltzius

Sleeping Danae is a nude piece painted by Hendric as a representation of tradional reclamation. Within the painting which is an image of a woman there are other people including children around her. The piece is probably meant to portray the theme of Representation of Women considering the nude image plus many around her however; it certainly means that woman is the source of generating life. Contrary the Sleeping Danae is being prepared to receive Jupiter where the artisan depicts those around the woman sleeping as Jupiter (Sluijter & Rembrandt, 2009).

Compare and Contrast

The four pieces compares in one way or the other according to their medium as well as the message they portrays. The artisans in all the pieces used the oil caravans in their painting and that generates their similarities. Oil and caravans are preferred in such paintings because of various reasons one being that they ensures the image appearance creates a realistic imagination in the mind of the viewers. Despite the pieces similarities there are also differences in the colors used plus time depicted in the images.  In Bellini’s painting appears darker on the top thus, it is clear that the artist majored on the woman and child. Considering The Sleeping Danae, the artist also included the surrounding where the sleeping woman is surrounded by other individuals who are termed as jupiters (Sluijter & Rembrandt, 2009).

 The pieces are similar in consideration to the kind of messages they depicts. Each piece gives a different story but they all majors on the theme of women representation. Considering Benjamin’s piece Cymon and Iphigenia, women are represented in a manner of love and desire. Cymon’s love for Iphigenia is Cleary illustrated here all the elements in the painting majors to the story. She is represented at one point clothed while in other presentation she is nearly nude with her breast uncovered. Risen Christ also acts as women representation piece considering women as capable life givers just like Christ came back to life (Staley & Baltimore museum of art, 2008). On the other hand Hendrik’s piece represents women in reflect to the nude image plus the people around it however; it certainly means that woman is the source of generating life (Sluijter & Rembrandt, 2009).

The four pieces contrast in one major way that despite being highly appreciated and preserved in the museum, they were created in different eras plus their history differs. Bejamins piece was done in the year 1773 despite other similar pieces which had been done by various artisans. The Madonna and Child art was done by Jacopo in 1465 where Bellini had painted other fewer images of the Virgin alone. All de pieces were designed at a varying period in between 1300-1800 (Metropolitan Museum of Art (New York, N.Y.), Wardropper, & Coscia, 2011).

 

Conclusion

  Art has been used in many centuries in representation of women thus giving the realistic of human beings commissioned by the wealthy to represent idealized issues. The above artwork acts as a better presentation of value and role of the female gender. I n relation to the theme representation of women, the piece portrays the female gender in one way especially where Mary Magadalen was the first to see the risen Christ according to Titan the artisan. Despite the various symbols used in each piece, they all touch the theme of women presentation (Metropolitan Museum of Art (New York, N.Y.), Wardropper,  & Coscia,2011).

References

Staley, A., & Baltimore museum of art. (2008). Benjamin West: American painter at the English court : [exhibition held at the Baltimore museum of art, June 4-August 20, 1989]. Baltimore: Md.

Burckhardt, T., & Stoddart, W. (2013). The essential Titus Burckhardt: Reflections on sacred art, faiths, and civilizations. Bloomington, Ind: World Wisdom

Sluijter, E. J., & Rembrandt, . (2009). Rembrandt and the female nude. Amsterdam: Amsterdam University Press.

 

Vincent Scully, (1980). How Things got the way they are now, in: The Presence of the Past: First International Exhibition of Architecture, Venice (La Biennale di Venezia

Metropolitan Museum of Art (New York, N.Y.), Wardropper, I., & Coscia, J. (2011). European sculpture, 1400-1900, in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art.

 

 

 

 

 

  

 

 

1361 Words  4 Pages

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