Gilsotteum Film Analysis

Context of the Gilsotteum Film

The film, Gilsotteum explores the political division and the real tragedy and effect to the gender in the society. The film, Gilsotteum portrays the tragedy of the war by presenting Hwa-yeong who lives with her family but now she is an orphan after losing the family in an epidemic. Before the epidemic, she lives with her father’s friend and forms a friendship with Dong-jin and becomes pregnant[1]. Writers who offer English dissertation help at Edudorm essay writing service notes that however, the two are separated by chaotic events and Hwa-young lose her son and start to live a miserable life. After thirty three years, the two meets at Reunion Square and they are reunited and they retraces their memories on the past and remembers Seok-cheol.

Characters in the film, Gilsotteum

            Through various characters, the film, Gilsotteum portrays a great need for reunion in order to heal the traditional wound between the individuals life. The division which occurred during the war tragedy led to effects which impacted the lives of people in a negative way. Just to provide a little background on information on this film, Gilsotteum is that about 10 million were displaced and this introduced a kind of emotional problems as families were separated[2]. The film, Gilsotteum introduces the main character, Hwa-young who is searching for her family and specifically her son whom she lost during the war. Hwa-young is in a difficult situation as a motherhood and her maternal responsibility in searching for her son. In the process of searching for family members, individual have a great love over each other[3]. Experts who offer English homework help at Edudorm essay writing service indicates that the female protagonist loses her family during Korean independence unlike the male protagonists where we are told that they are obstructed by communal valued in fulfilling their sentiment with their lovers. Other thing which presents the disempowerment in female gender is that men are not displayed with emotions of searching their mothers. According to the reading, it is clear that women feel awkwardness and unconfident and they do not get sentimentality[4].  

Painful Reality in the Beauty and Innocence in the Film, Gilsotteum

            There is a painful reality in the beauty and innocence where unbearable pain is arising through nostalgic memories. Korean women are not able to bear the present pain and this triggers the past experience since present reality is completely ignored. The film, Gilsotteum puts much concentration on home to show that females are vulnerable to challenges despite the fact they are innocent souls[5]. The protagonist and the characters that are in need of their beloved face socio-economic challenges, and it is clear that the modern Korean society faces the same challenges. Authors who offer English coursework help at Edudorm essay writing service points that the challenges arise simply because nation is not responding to the issues with original intention. Other irritating thing is that the separated families not only did they separate due to war but also due to poverty. In addition, the Post-war economy has developed social inequality in that the victims’ social solidarity is lost as a result of class division and disintegration. The ongoing tragedy is affecting the lives of people as they lack identity and a sense of unity[6].

Hwa-yeong

Hwa-yeong is the real mother of her son from medical evidence, but she rejects due to some reasons. The reason for these actions is that she is interested with forgetting the past and maintaining the peace which she has struggled to get. According to the reading, the mother opts to forget the bullet stuck since it does not affect her everyday life[7]. Mentors who offer essay help online at Edudorm essay writing service recognizes that she understand that in order to move forward, she must forget the past  and avoid to reflect the mind on war periods  since by doing so she will  experience the war again in an indirect manner. This is a symbolism that Korea ‘bloodline’ is very important and women have a positive image though the film, Gilsotteum shows that the Korean society does not recognize the maternal love, women perseverance as well as sacrifice on their children[8]. Women are not empowered but rather they are left in a confused situation. The society overlooks the need to recognize the women nor does it pass moral judgment but it views  such people just as ‘human beings’ no matter the pain of separation  exists in their heart.

Bibliography

Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea.

Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films.

[1] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. Pg 197

[2] Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea.

[3] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. pg 201

[4] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. pg 201

[5] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. pg 203

[6] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. pg 207

[7] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. pg 215

[8] Korean Film Archive (2012). Women On Screen. Understranding Korean Society and Women through

Films. 215