My Sassy Girl Film Analysis
Context of the My Sassy Girl Film
The background information behind the film, My Sassy Girl is based on post-war in Korea and how the gender role was displayed. The film reflect principle ideologies from anti stereotypical angle on how male gender opposes female gender. It is important to say that even though gender role in social context are promoted in terms of gender equality, women are disempowered in a way that they have a limited opportunity in the family. Lack of opportunity has resulted in conflict between the women role and male dominion in the society. The conflict emerges when women tries to eliminate a sorrow which comes as a result of men’s dominion. Writers who offer essay help online at Edudorm essay writing service notes that the film, My Sassy Girl focus on institutional frameworks in terms of system disruption, socio-political order and limits of freedom in historical period. The film, My Sassy Girl have some instances of romance but the romance is the key thing which introduces the gender dynamics. In general, there is an internal conflict as a result of gender crisis and this shows how women role are disempowered in pre-modern era in the film.
Limited Freedom in Female Characters in the Film, My Sassy Girl
The film ‘My Sassy Girl’ introduces the limited freedom in female characters despite their important role in motherhood. In this film, women tend to present their eccentric behavior toward sexual desire and the important thing to note is that their behaviors are not regarded as a positive liberation but it is viewed a defensive mechanism[1]. Experts who offer research essay help at Edudorm essay writing service indicates that the gender roles in this film, My Sassy Girl are not only represented as a comedy but also as an inversion of gender roles. According to the movie, South Korea for several years have tried to cope with feminists issues and several studies have shown that the country should eliminate the traditional heritage in order to eliminate feminist issues[2]. The film introduces the gender inversion and sexuality in Cheol-su. This character displays the feminine traits in her relationship with Chun-hui. Despite that fact that this male character lives in a dusty apartment, the female character shows her much love by maintaining cleanliness.
Gender Role in the Film, My Sassy Girl
In this scenario, gender role is disempowered in the family though it is disempowered in this scenario when Cheol-su suggest that they should add sexual scenes in the film, My Sassy Girl so that viewers can be interested and Chun-hui opposes her suggestions since his sexual desires are natural at the end their relationship fails since Cheol-su does not give him romantic love[3]. Authors who offer essay assignment help at Edudorm essay writing service points that Jeon is a female character in the film, My Sassy Girl and this character possess negatives traits as she is seen drunkard with her boyfriend and as the movie continues, there is a melodramatic turn where Jeon changes her behavior and recognizes her vulnerable nature[4]. It is important to note that being eccentric develops differences in social norms and other challenges from patriarchal society. This is apparent in that, initially she feels discontented with conventional gender behaviors and tries to free away from the sentimentality[5].
Heroines in the Film
Despite the fact that heroines in the film, My Sassy Girl embrace an eccentric character, there is a contradiction in their gender roles. Note that, Jeon appears to be the protagonist character who fails to sustain her independent behaviors[6]. Her desire clearly presents the contemporary Korean women and how they struggle to isolate themselves from sexual discrimination and other difficult is seen as they try to achieve true romantic love. Women try to run away from men violence and they define themselves as diffident and conservative[7]. They struggle to have a control on their relationships under the male control. Gender relation is the key thing which introduces the new look where the male views the female as a masculine visual pleasure. According to the different scenarios of the female characters, male’s blatant role is apparent in the film, My Sassy Girl for instance when Kyun-Woo wakes Jun up by giving her a medicine[8]. On this scenario, the male character embraces an opposite mind on sexuality compared with male gaze. On the other hand, Jun is positioned as an objective and this shows how females are dependent of men[9]. Tutors who offer admission essay help at Edudorm essay writing service acknowledges that Jun in the film, My Sassy Girl reveals the Korean young females and how their definition of love is based on cultural identity. Traditionally, female believed that they are object to men but they have to realize that they have their own gender structure and male should be associated with them under their own control and willingness, it is important to note that the fact that Jun is not given the name reveals that female do not have the identity in popular culture[10]. Men always use objectives through commercial strategies and thus strategies deny them personal control in social context[11].
Bibliography
Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea.
JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs.
[1] JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs. Pg.89
[2] JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs. Pg 85
[3] Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea. Pg 91
[4] Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea. Pg92
[5] JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs. Pg 93
[6] JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs. 94
[7] Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea.
[8] JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs. Pg 97
[9] Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea.
[10] JINHEE CHOI. THE SOUTH KOREAN FILM RENAISSANCE. Local Hitmakers. Global Provocateurs. Pg 97
[11] Park, JaeYoon. 2008. Seeing stars: female film stars and female audiences in post-colonial Korea.
